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"El Martirio de San Mauricio" (Martyrdom of St. Maurice), by El Greco, exhibited at El Escorial monastery, Spain.
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"El Martirio de San Mauricio" (Martyrdom of St. Maurice), by El Greco, exhibited at El Escorial monastery, Spain.

museumgallerypictureDomenikos TheotokopoulosGrecoEl GrecopainterpaintingSaint MauriceSaint MauritiusSan Mauriciomartiriomartyrdom1580158216th centuryartartworkrenaissancerenaissance styleinteriorinsideindoorindoorslandmarkmonumentmonumentalfamous placefamous placesMadridSpainSpanishEuropemonasteryReal Monasterio de San Lorenzo de El EscorialEl EscorialRoyal MonasterySan LorenzoEscorialgrouppeoplepersonpersonshumanhumansvisitorvisitingvisitorstouristtouristsworld heritageunesco

  • "El Martirio de San Mauricio" (Martyrdom of St. Maurice), by El Greco, exhibited at El Escorial monastery, Spain.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The light from glazed window on the wall of an old corridor, San Lorenzo de El Escorial, Madrid, Spain
  • Glazed corridor inside an old building
  • The top of El Escorial dome viewed through a very old window with ancient glass
  • Long and strait corridor with tunnel effect
  • Old man walking with a cane
  • Bronze statue of the Spanish king Philip II (Felipe II, born 1527, died 1598), faced to his great work, the Royal Monastery of El Escorial, Madrid, Spain, where he, her father the Emperor Charles V and most of his sucessors are buried.
  • Detail of the faucet of an old drinking fountain, El Escorial, Spain
  • Street stall of ice creams in front of El Escorial facade, Spain
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • Detail of the top of an ice cream stall with El Escorial facade on the background. The Spanish sign says "Horchata" (cold drink made from tiger nuts), "helados" (ice cream) and "granizada" (lemon drink served on crushed ice)
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • Silhoette of a person in front of the chapel with the ivory Crucifix by Benvenutto Cellini, El Escorial, Spain
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
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