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El Escorial

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Cafe built in the 18th century by the Spanish king Carlos III (Charles III).
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Cafe built in the 18th century by the Spanish king Carlos III (Charles III).

doordoorway18th centurycafecoffee shopcoffee barcrownCarlos IIICharles IIImonarchykingMadridSpainSpanishEuropeSan Lorenzo del EscorialEscorial

  • Detail of an old drinking fountain at El Escorial, Spain
  • Detail of the doorknocker of the main doorway of El Escorial monastery, Spain
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • flagpole, flagstaff, flag, flags, flutter, fluttering, Spanish flag, red, yellow, fly, flying
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the gigantic scale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • flagpole, flagstaff, flag, flags, flutter, fluttering, Spanish flag, red, yellow, fly, flying
  • Cafe built in the 18th century by the Spanish king Carlos III (Charles III).
  • Cafe built in the 18th century by the Spanish king Carlos III (Charles III).
  • Graphic, abstract image of lined up granite columns
  • Abstract image of a trunk lined up with granite columns
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
  • The Royal Monastery of San Lorenzo del Escorial was begun in 1563 by Juan Bautista de Toledo, a Renaissance Spanish architect who had worked earlier in Italy, and was completed after his death in 1567 by Juan de Herrera, who finished the work in 1584. The massive walls of the interior, relieved only by Doric pilasters with no concession to decorative richness, produced a monument that was austere beyond anything the Italian Renaissance ever envisaged. On the exterior the giganticscale of the monastery and the severe gray granite walls are forbidding. There Herrera established his fame and the Herreran style, which was to prevail in Spain for half a century. According to the desire of the king Philip II, most Spanish sovereigns, beginning with the emperor Charles V and Philip II himself, were buried at El Escorial.
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